Expose

August 2015 by Jon Davis

Eccentric Orbit announce their intentions right out of the gate. Their debut album begins with some big Mellotron chords, then a theme on organ leads into a section where Mellotron chords are backed by a heavy bass part. Time signatures vary (11/8 generally dominates), and other keyboard instruments get added and subtracted from the mix. Overall, the sound could be likened to ELP with more aggressive bass playing and Mellotron added into the keyboard arsenal. Refreshingly, the keyboard playing doesn’t really resemble Keith Emerson, instead combining elements of Kerry Minnear, Rick Wakeman, and maybe a little Tony Banks. While some of the vintage keyboard sounds may in fact be modern digital recreations of the original instruments (not everyone has an old Mellotron stashed in their basement), the sounds are very good, certainly close enough to tickle the fancy of any fans of the classic tones. The compositions and arrangements are sophisticated, though they don’t delve into Twentieth Century developments as Gentle Giant did, nor do they much indulge in polyphony, being mostly chord-and-harmony based. For the reissue, a bonus track has been added, and it’s a doozy – the ten-minute “The Day the Earth Stood Still,” which was written around the time of the original album but recorded more recently with the band's current lineup. The big thing here is the addition of violin as an alternative melodic voice, providing a great foil to all the keyboard sounds. It’s another multi-part composition, with all the qualities that make the rest of the album work so well. The bottom line is that Attack of the Martians is every bit as much fun as the title implies. 



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